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  <title>COLECÇÃO VINTAGE</title>
  <link>http://asavintage.blogs.sapo.pt/</link>
  <description>COLECÇÃO VINTAGE - SAPO Blogs</description>
  <lastBuildDate>Fri, 20 May 2011 14:16:02 GMT</lastBuildDate>
  <generator>LiveJournal / SAPO Blogs</generator>
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  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/25931.html</guid>
  <pubDate>Fri, 20 May 2011 14:12:53 GMT</pubDate>
  <title>O VÉU PINTADO – ACTORES E REALIZADOR FALAM DO FILME</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/25931.html</link>
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  <comments>http://asavintage.blogs.sapo.pt/25931.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>naomi watts</category>
  <category>john curran</category>
  <category>sic</category>
  <category>filme</category>
  <category>edward norton</category>
  <category>entrevista</category>
  <category>vídeo</category>
  <category>o véu pintado</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/25748.html</guid>
  <pubDate>Tue, 17 May 2011 13:03:25 GMT</pubDate>
  <title>O VÉU PINTADO – TRAILER DA VERSÃO CINEMATOGRÁFICA DE 2006</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/25748.html</link>
  <description>&lt;p&gt;&lt;iframe src=&quot;http://www.youtube.com/embed/a4OSRC_IKSE?rel=0&quot; width=&quot;480&quot; height=&quot;390&quot; frameborder=&quot;0&quot; style=&quot;display: block; margin-left: auto; margin-right: auto;&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/25748.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>somerset maugham</category>
  <category>filme</category>
  <category>vídeo</category>
  <category>o véu pintado</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/25477.html</guid>
  <pubDate>Tue, 10 May 2011 18:00:31 GMT</pubDate>
  <title>VENCEDORES DO PASSATEMPO O VÉU PINTADO, DE SOMERSET MAUGHAM</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/25477.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c9.quickcachr.fotos.sapo.pt/i/Pbd0629fc/8064593_StAVu.jpeg&quot; alt=&quot;&quot; width=&quot;172&quot; height=&quot;260&quot; /&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;Para além de &lt;span style=&quot;font-size: 12pt; line-height: 150%;&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/24863.html&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Véu Pintado&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;, que outros romances de &lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt; foram já publicados na Colecção Vintage?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Resposta: &lt;a href=&quot;http://asavintage.blogs.sapo.pt/13505.html&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Servidão Humana&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt; e&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt; &lt;span style=&quot;font-size: 12pt; line-height: 150%;&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/21648.html&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Fio da Navalha&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Vencedores:&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;1 – Neusa do Vale&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: arial, helvetica, sans-serif; font-size: medium;&quot;&gt;25 – Alexandra Barata&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;50 – Sara Paredes&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;75 – Bruno Lobato&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;100 – Rute Berquó Cruz&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Parabéns aos vencedores e obrigado a todos os participantes.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/25477.html</comments>
  <lj:replycount>3</lj:replycount>
  <category>servidão humana</category>
  <category>passatempo</category>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
  <category>o véu pintado</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/25118.html</guid>
  <pubDate>Tue, 03 May 2011 10:50:55 GMT</pubDate>
  <title>PASSATEMPO – O VÉU PINTADO, DE SOMERSET MAUGHAM</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/25118.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/6fSZhU2mM8WzPLSpuErB/&quot;&gt;&lt;img style=&quot;border: 0pt none;&quot; src=&quot;http://c2.quickcachr.fotos.sapo.pt/i/Ba8061042/8064593_LMQ4s.jpeg&quot; alt=&quot;&quot; width=&quot;330&quot; height=&quot;500&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;Para além de &lt;span style=&quot;font-size: 12pt; line-height: 150%;&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/24863.html&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Véu Pintado&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;, que outros romances de &lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt; foram já publicados na Colecção Vintage?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Envie a sua resposta para &lt;/span&gt;&lt;a href=&quot;mailto:asavintage@sapo.pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium; font-family: Arial;&quot;&gt;asavintage@sapo.pt&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt; &lt;/strong&gt;– e se estiver correcta e for a 1.ª, a 25.ª, a 50.ª  75.ª ou a 100.ª a chegar, ganha automaticamente um dos cinco exemplares de &lt;em&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;strong&gt;&lt;em&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/24863.html&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Véu Pintado&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;&lt;strong&gt;,&lt;/strong&gt;&lt;/em&gt; de &lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;, que a ASA tem para oferecer. A data limite é domingo, dia 8 de Maio.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/25118.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>passatempo</category>
  <category>somerset maugham</category>
  <category>o véu pintado</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/24863.html</guid>
  <pubDate>Thu, 14 Apr 2011 08:40:57 GMT</pubDate>
  <title>O VÉU PINTADO – SOMERSET MAUGHAM</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/24863.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/6fSZhU2mM8WzPLSpuErB/&quot;&gt;&lt;img style=&quot;border: 0pt none;&quot; src=&quot;http://c5.quickcachr.fotos.sapo.pt/i/Ba8061042/8064593_LMQ4s.jpeg&quot; alt=&quot;&quot; width=&quot;330&quot; height=&quot;500&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Kitty sente-se prisioneira de um casamento infeliz e de um estilo de vida que está longe de ser aquele que sonhou para si. Sem que tivesse obtido a notoriedade social que desejava e afastada do seu país e da família devido à profissão do marido – bacteriologista destacado para Hong Kong –, a jovem acaba por encontrar algum consolo numa relação extraconjugal. Mas a traição acaba por ser descoberta pelo marido, que leva a cabo uma estranha e terrível vingança…&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; Através do despertar espiritual da adorável e fútil Kitty, Somerset Maugham pinta um retrato vívido da presença britânica na China e apresenta-nos uma galeria de personagens inesquecíveis.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;O Véu Pintado&lt;/em&gt; foi por três vezes adaptado para o cinema: em 1934, num filme protagonizado por Greta Garbo; em 1957, com Bill Travers e Eleanor Parker; e em 2006, num filme realizado por John Curran, com Edward Norton e Naomi Watts nos principais papéis.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/24863.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>somerset maugham</category>
  <category>o véu pintado</category>
  <category>sinopse</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/24640.html</guid>
  <pubDate>Thu, 14 Apr 2011 08:40:36 GMT</pubDate>
  <title>O VÉU PINTADO – A CRÍTICA</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/24640.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/6fSZhU2mM8WzPLSpuErB/&quot;&gt;&lt;img style=&quot;border: 0pt none;&quot; src=&quot;http://c3.quickcachr.fotos.sapo.pt/i/Pbd0629fc/8064593_StAVu.jpeg&quot; alt=&quot;&quot; width=&quot;172&quot; height=&quot;260&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“&lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; foi o escritor moderno que mais me influenciou.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;George Orwell&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Um dos meus escritores favoritos.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Gabriel García Márquez&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“É impossível a um escritor da minha geração, se for honesto, ser indiferente à obra de &lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Gore Vidal&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Um escritor com uma dedicação tremenda.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Graham Greene&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“&lt;em&gt;&lt;strong&gt;&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/24863.html&quot; target=&quot;_self&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Véu Pintado&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;, com a sua melancolia, a sua tensão moral, a sua ironia e compaixão, a sua evocação crescente de luxúria, terror e arrependimento, é uma obra de arte.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;The Spectator&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Um espantoso romance que através de uma bem caracterizada galeria de personagens questiona habilmente temas intrínsecos à natureza humana… Brilhante!”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;A Capital&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Em &lt;em&gt;&lt;em&gt;&lt;strong&gt;&lt;em&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/24863.html&quot; target=&quot;_self&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Véu Pintado&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;, está patente o enorme domínio narrativo do autor.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;O Independente&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Em &lt;em&gt;&lt;em&gt;&lt;strong&gt;&lt;em&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/24863.html&quot; target=&quot;_self&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Véu Pintado&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/em&gt;, &lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; faz uma magnífica caracterização da presença britânica na China e apresenta, como é seu hábito, uma admirável galeria de personagens.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;Diário de Notícias&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/24640.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>somerset maugham</category>
  <category>crítica</category>
  <category>o véu pintado</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/24494.html</guid>
  <pubDate>Thu, 31 Mar 2011 11:05:57 GMT</pubDate>
  <title>EM ABRIL...</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/24494.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/6fSZhU2mM8WzPLSpuErB/&quot;&gt;&lt;img style=&quot;border: 0pt none;&quot; src=&quot;http://c7.quickcachr.fotos.sapo.pt/i/Ba8061042/8064593_LMQ4s.jpeg&quot; alt=&quot;&quot; width=&quot;330&quot; height=&quot;500&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/24494.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>somerset maugham</category>
  <category>o véu pintado</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/24088.html</guid>
  <pubDate>Tue, 12 Oct 2010 09:04:17 GMT</pubDate>
  <title>&quot;CLÁSSICO CONTEMPORÂNEO&quot; – A CRÍTICA DA FOCUS A O FIO DA NAVALHA, DE SOMERSET MAUGHAM</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/24088.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://fotos.sapo.pt/oNn4Rz16V7mGqr5iDfiY/&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c3.quickcachr.fotos.sapo.pt/i/b4a05595e/7238116_Zwh48.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Para ler a crítica da &lt;em&gt;Focus&lt;/em&gt; a&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-size: medium; font-family: arial,helvetica,sans-serif;&quot;&gt; &lt;/span&gt;&lt;strong&gt; &lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/21648.html&quot; target=&quot;_self&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Fio da  Navalha&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; de &lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset  Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;em&gt; &lt;/em&gt;basta  clicar na  imagem.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/24088.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
  <category>focus</category>
  <category>crítica</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/24041.html</guid>
  <pubDate>Thu, 30 Sep 2010 09:52:20 GMT</pubDate>
  <title>&quot;ESCRITO DE FORMA BRILHANTE, ESTE É UM LIVRO INCONTORNÁVEL&quot; – A CRÍTICA DO JORNAL DE NEGÓCIOS A O FIO DA NAVALHA, DE SOMERSET MAUGHAM</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/24041.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://fotos.sapo.pt/Rkkndb7oyluj7b09FI9H/&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c10.quickcachr.fotos.sapo.pt/i/ba5059ff6/7238132_moger.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Para ler a crítica do suplemento &lt;em&gt;Weekend&lt;/em&gt;, do &lt;em&gt;Jornal de Negócios&lt;/em&gt;, a&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-size: medium; font-family: arial,helvetica,sans-serif;&quot;&gt; &lt;/span&gt;&lt;strong&gt; &lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/21648.html&quot; target=&quot;_self&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Fio da  Navalha&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; de &lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset  Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;em&gt; &lt;/em&gt;basta  clicar na  imagem.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/24041.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
  <category>crítica</category>
  <category>jornal de negócios</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/23763.html</guid>
  <pubDate>Tue, 28 Sep 2010 09:51:19 GMT</pubDate>
  <title>&quot;BEAUTIFUL PEOPLE E HINDUÍSMO&quot; – A CRÍTICA DO I A O FIO DA NAVALHA, DE SOMERSET MAUGHAM</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/23763.html</link>
  <description>&lt;p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://fotos.sapo.pt/hHP3SyfIDJDVf8Npof6B/&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c9.quickcachr.fotos.sapo.pt/i/bc3052fcb/7238076_26yIE.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Para ler a crítica do &lt;em&gt;i&lt;/em&gt; a&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-size: medium; font-family: arial,helvetica,sans-serif;&quot;&gt; &lt;/span&gt;&lt;strong&gt; &lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/21648.html&quot; target=&quot;_self&quot;&gt;&lt;em&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Fio da Navalha&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/em&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; de &lt;/span&gt;&lt;strong&gt;&lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;em&gt; &lt;/em&gt;basta  clicar na  imagem.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/23763.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
  <category>crítica</category>
  <category>i</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/23334.html</guid>
  <pubDate>Fri, 24 Sep 2010 13:28:33 GMT</pubDate>
  <title>VENCEDORES DO PASSATEMPO SONO CREPUSCULAR</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/23334.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/qDTzkhJerubtwzUWiiN2&quot;&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/lyDOf00ypB3Fzr3dg8Ll&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c9.quickcachr.fotos.sapo.pt/i/s3005572b/7248766_zjD1c.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;Quantas obras foram já publicadas na Colecção Vintage?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;Resposta: sete.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Vencedores:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;1 &lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;– Patrícia André&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;25 &lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;– Hagna Irisdeia&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;50 &lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;– Rodrigo Bernardo&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;75 &lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;– Alexandra Gouveia&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;100 &lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;– Alícia Pestana&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;a href=&quot;http://www.facebook.com/alicia.pestana&quot;&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Parabéns aos vencedores e obrigado a todos os participantes. Não percam os próximos passatempos neste blogue.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/23334.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>edith wharton</category>
  <category>passatempo</category>
  <category>sono crepuscular</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/23291.html</guid>
  <pubDate>Wed, 15 Sep 2010 16:03:26 GMT</pubDate>
  <title>SONO CREPUSCULAR – PASSATEMPO EXCLUSIVO PARA FÃS DA COLECÇÃO VINTAGE NO FACEBOOK</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/23291.html</link>
  <description>&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/qDTzkhJerubtwzUWiiN2&quot;&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/lyDOf00ypB3Fzr3dg8Ll&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c3.quickcachr.fotos.sapo.pt/i/b57051872/7248766_u4nbU.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;Quantas obras foram já publicadas na Colecção Vintage?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Envie a sua resposta para &lt;/span&gt;&lt;a href=&quot;mailto:asavintage@sapo.pt&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium; font-family: Arial;&quot;&gt;asavintage@sapo.pt&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt; &lt;/strong&gt;e o &lt;em&gt;link&lt;/em&gt; do seu perfil no Facebook – e se estiver correcta e for a 1.ª, a 25.ª, a 50.ª  75.ª ou a 100.ª a chegar, ganha automaticamente um dos cinco exemplares de &lt;em&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/22808.html&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium; font-family: Arial;&quot;&gt;Sono Crepuscular&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;&lt;strong&gt;,&lt;/strong&gt;&lt;/em&gt; de &lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/22428.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium; font-family: Arial;&quot;&gt;Edith Wharton&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/22428.html&quot;&gt;&lt;strong&gt; &lt;/strong&gt;&lt;/a&gt;, que a ASA tem para oferecer. A data limite é quinta-feira, dia 23 de Setembro.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Para participar, tem de ser fã da Colecção Vintage no Facebook (&lt;/span&gt;&lt;strong&gt;&lt;a href=&quot;http://www.facebook.com/pages/Vintage/107017812692790&quot;&gt;http://pt-pt.facebook.com/pages/Vintage/1&lt;wbr /&gt;07017812692790&lt;/a&gt;&lt;/strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;). Se ainda não o é, apresse-se!&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/23291.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>edith wharton</category>
  <category>passatempo</category>
  <category>sono crepuscular</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/22808.html</guid>
  <pubDate>Mon, 06 Sep 2010 16:16:24 GMT</pubDate>
  <title>SONO CREPUSCULAR – EDITH WHARTON</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/22808.html</link>
  <description>&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/qDTzkhJerubtwzUWiiN2&quot;&gt; &lt;/a&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://fotos.sapo.pt/lyDOf00ypB3Fzr3dg8Ll/&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c3.quickcachr.fotos.sapo.pt/i/b57051872/7248766_u4nbU.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Com a cosmopolita cidade de Nova Iorque como pano de fundo, a família Manford refugia-se nas mais variadas formas de evasão para fugir ao tédio e ao vazio das suas vidas privilegiadas. No mundo da alta-sociedade a que pertencem, abundam o sexo, as drogas, a ânsia por dinheiro e poder, a atracção pelo oculto e pela espiritualidade &lt;em&gt;new age&lt;/em&gt;. Nona é a filha mais nova e com apenas 19 anos ambiciona mais do que a busca de prazer imediato adoptada pela maioria dos jovens da sua idade. Numa época cuja prioridade é dada a relacionamentos superficiais, ela procura uma existência com sentido, algo que partilha com o meio-irmão, Jim. Mas a mãe de ambos, Pauline, tem da vida uma visão bastante mais utilitária e hedonista. A sua obsessão com as aparências vai forçá-los a assumir posições extremas e ditar irremediavelmente o futuro de todos.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;Sono Crepuscular&lt;/em&gt; poderia ter sido escrito no século XXI e ter como protagonistas os membros de uma família moderna. Mas, na verdade, a grande senhora das letras americanas, Edith Wharton, escreveu-o no início do século passado e retratou os loucos anos vinte em toda a sua duplicidade: a sensualidade dos clubes de jazz, a elegância permissiva da vida social, mas também o vazio das vidas vividas a curto prazo, a falta de horizontes, a futilidade e os excessos de uma juventude desalentada. Assistimos ao cair do pano sobre o palco da Nova Iorque dos antigos valores, à medida que as artes e o cinema se impõem e dão início a todo um fantástico mundo novo, neste que será sempre um dos grandes “clássicos” sobre a alta sociedade do início do século XX e a derrocada dos seus valores tradicionais.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/22808.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>edith wharton</category>
  <category>sono crepuscular</category>
  <category>sinopse</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/22564.html</guid>
  <pubDate>Mon, 06 Sep 2010 16:14:55 GMT</pubDate>
  <title>SONO CREPUSCULAR – A CRÍTICA</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/22564.html</link>
  <description>&lt;p style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/qDTzkhJerubtwzUWiiN2&quot;&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/lyDOf00ypB3Fzr3dg8Ll&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c9.quickcachr.fotos.sapo.pt/i/s3005572b/7248766_zjD1c.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Há, na América, apenas três ou quatro escritores que podem ser apelidados de ‘grandes’ – Edith Wharton é um deles.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Gore Vidal&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“&lt;em&gt;Sono Crepuscular&lt;/em&gt; revela uma Edith Wharton no auge do seu requinte estilístico. Um livro repleto de passagens infinitamente memoráveis.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;The&lt;/em&gt; &lt;em&gt;New York Times&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Em &lt;em&gt;Sono Crepuscular&lt;/em&gt;, o admirável talento de Edith Wharton está mais evidente do que nunca.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;Herald Tribune&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Um brilhante e perspicaz exame da vida na alta sociedade nova-iorquina.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;New York Evening Post&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/22564.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>edith wharton</category>
  <category>crítica</category>
  <category>sono crepuscular</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/22428.html</guid>
  <pubDate>Mon, 06 Sep 2010 16:13:40 GMT</pubDate>
  <title>EDITH WHARTON</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/22428.html</link>
  <description>&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;Edith Wharton&lt;/strong&gt; nasceu em 1862 numa das famílias mais ricas e conceituadas de Nova Iorque. Para além de &lt;em&gt;Sono Crepuscular&lt;/em&gt;, da sua vasta obra literária destacam-se &lt;em&gt;A Idade da Inocência, Ethan Frome, Jovens Rebeldes &lt;/em&gt;e&lt;em&gt; A Casa da Felicidade&lt;/em&gt;. Conhecida pela sua perspicácia e acutilância, é uma cronista excepcional e um dos nomes incontornáveis da literatura mundial. Foi a primeira mulher a ser distinguida com o Prémio Pulitzer de Ficção, a ser nomeada doutora &lt;em&gt;honoris causa&lt;/em&gt; pela Universidade de Yale e a ser eleita para a Academia Americana de Artes e Letras. Faleceu em França, em 1937.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/22428.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>edith wharton</category>
  <category>biografia</category>
  <category>sono crepuscular</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/22081.html</guid>
  <pubDate>Tue, 31 Aug 2010 16:44:40 GMT</pubDate>
  <title>EM SETEMBRO...</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/22081.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/qDTzkhJerubtwzUWiiN2&quot;&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/lyDOf00ypB3Fzr3dg8Ll&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c3.quickcachr.fotos.sapo.pt/i/b57051872/7248766_u4nbU.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/22081.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>edith wharton</category>
  <category>sono crepuscular</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/21950.html</guid>
  <pubDate>Tue, 24 Aug 2010 10:08:27 GMT</pubDate>
  <title>O FIO DA NAVALHA – TRAILER DA VERSÃO CINEMATOGRÁFICA DE 1984</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/21950.html</link>
  <description>&lt;p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;
&lt;object width=&quot;480&quot; height=&quot;289&quot;&gt;
&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot; /&gt;
&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot; /&gt;
&lt;param name=&quot;src&quot; value=&quot;http://www.youtube.com/v/9-cIUVgacaY?fs=1&amp;amp;hl=en_US&quot; /&gt;
&lt;param name=&quot;allowfullscreen&quot; value=&quot;true&quot; /&gt;&lt;embed height=&quot;289&quot; width=&quot;480&quot; src=&quot;http://www.youtube.com/v/9-cIUVgacaY?fs=1&amp;amp;hl=en_US&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; type=&quot;application/x-shockwave-flash&quot;&gt;&lt;/embed&gt;
&lt;/object&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/21950.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>trailer</category>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
  <category>filme</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/21648.html</guid>
  <pubDate>Tue, 03 Aug 2010 17:00:46 GMT</pubDate>
  <title>O FIO DA NAVALHA – SOMERSET MAUGHAM</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/21648.html</link>
  <description>&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://fotos.sapo.pt/k1W3kZMY5aOmCUrEIZdw/&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c7.quickcachr.fotos.sapo.pt/i/bd80455fb/6848038_GKZ70.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Quando um amigo e colega de combate morre ao tentar salvá-lo, a vida de Larry Darrell muda para sempre. Para o jovem aviador americano, a morte passa então a ter um rosto. O inexorável mistério da morte leva-o a questionar o significado último da frágil condição humana e a embarcar numa obstinada e redentora odisseia espiritual.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Ao recusar viver segundo as convenções impostas pela sociedade para buscar o sentido da vida (que encontrará, certa manhã, algures na Índia), Larry torna-se simultaneamente uma frustração para os que o rodeiam – principalmente para Isabel, a namorada, e Elliott, tio desta, que cultivam acima de tudo a aceitação e o prestígio sociais – e a personificação de um ideal de espiritualidade e não-compromisso.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt; &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Por duas vezes adaptado ao cinema,&lt;em&gt; O Fio da Navalha&lt;/em&gt; é um romance intemporal. As ansiedades e dúvidas de Larry são também as nossas; continuamos até hoje a buscar um sentido para a nossa existência. Para encarnar essa luta contra o destino, &lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; &lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; criou um dos mais fascinantes personagens do seu vasto legado literário. Da Primeira à Segunda Guerra Mundial, passando pela Grande Depressão, ele leva-nos, através das sociedades francesa, americana e inglesa, à verdade mais recôndita da alma e do sentimento humanos.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/21648.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
  <category>sinopse</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/21442.html</guid>
  <pubDate>Tue, 03 Aug 2010 16:56:22 GMT</pubDate>
  <title>O FIO DA NAVALHA – A CRÍTICA</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/21442.html</link>
  <description>&lt;p&gt; &lt;/p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/k1W3kZMY5aOmCUrEIZdw&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c10.quickcachr.fotos.sapo.pt/i/se6048362/6848038_crghh.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Um dos meus escritores favoritos.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Gabriel García Márquez&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Um verdadeiro clássico.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;Expresso&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“&lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;foi o escritor moderno que mais me influenciou.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;George Orwell &lt;strong&gt; &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“É impossível a um escritor da minha geração, se for honesto, ser indiferente à obra de &lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; &lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Gore Vidal&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Uma imensa obra de arte; estimulante, imaginativa e divertida… Um livro fascinante.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;The Times Literary Supplement&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; &lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; é o escritor perfeito. A sua escrita é tão compacta, tão económica, tão motivada e tão talentosa que prende o leitor da primeira à última página.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;em&gt;Saturday Review of Literature&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“&lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/12902.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Somerset Maugham&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; é um grande artista…. Um génio.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Theodore Dreiser&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/21442.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
  <category>crítica</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/21178.html</guid>
  <pubDate>Fri, 30 Jul 2010 11:19:27 GMT</pubDate>
  <title>EM AGOSTO...</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/21178.html</link>
  <description>&lt;p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/k1W3kZMY5aOmCUrEIZdw&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c7.quickcachr.fotos.sapo.pt/i/bd80455fb/6848038_GKZ70.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/21178.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>o fio da navalha</category>
  <category>somerset maugham</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/20852.html</guid>
  <pubDate>Mon, 07 Jun 2010 09:31:35 GMT</pubDate>
  <title>HENRY MILLER FALECEU HÁ 30 ANOS</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/20852.html</link>
  <description>&lt;p&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;
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  <comments>http://asavintage.blogs.sapo.pt/20852.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>henry miller</category>
  <category>efeméride</category>
  <category>vídeo</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/20511.html</guid>
  <pubDate>Wed, 19 May 2010 14:23:25 GMT</pubDate>
  <title>AMOS OZ VENCE PRÉMIO INTERNACIONAL SALÃO DO LIVRO DE TURIM NO MEIO DE FORTE POLÉMICA</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/20511.html</link>
  <description>&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/VQAGv8D0vWoorYBQOu7a&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c10.quickcachr.fotos.sapo.pt/i/s04047427/6406117_S10hT.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;O escritor israelita &lt;a href=&quot;http://asavintage.blogs.sapo.pt/5062.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Amos Oz&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; venceu a primeira edição do Prémio Internacional Salão do Livro de Turim, apesar de um apelo de um grupo de académicos italianos para um boicote cultural e académico de Israel.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;O autor foi escolhido numa votação aberta ao público, após os finalistas terem sido nomeados pela organização, tendo o norte-americano &lt;span style=&quot;font-family: arial, helvetica, sans-serif; font-size: medium;&quot;&gt;&lt;a href=&quot;http://paulauster.blogs.sapo.pt/3499.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Paul Auster&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt; e o mexicano Carlos Fuentes ficado em segundo e terceiro lugares, respectivamente.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;O galardão visa distinguir um escritor cuja obra tenha contribuído para fazer da literatura um instrumento irrefutável da memória. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;O prémio tem um valor de 25 mil euros e será entregue em Outubro no Parco Culturale Piemonte Paesaggio Umano, onde terá lugar um clico de encontros e conferências dedicado ao vencedor.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Na semana passada, um grupo de académicos de Turim convocou uma conferência de imprensa na qual apelou a todos os académicos, escritores e artistas para boicotarem todas as instituições académicas e culturais de Israel, até que este país “cumprisse os seus compromissos com o direito internacional”.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Este apelo deu origem a um intenso debate em Itália, com o escritor Umberto Eco a expressar a sua oposição ao boicote, num artigo publicado na sexta-feira na revista &lt;em&gt;L’espresso&lt;/em&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Foi apresentado em Turim um manifesto da Italian Campaign for the Academic &amp;amp; Cultural Boycott of Israel que afirma que as universidades, os académicos e os intelectuais israelitas, na sua quase totalidade, apoiam o governo e são cúmplices das suas políticas. E que as universidades israelitas são palco de alguns dos mais importantes projectos de armamento, centrados na nanotecnologia e em meios tecnológicos e psicológicos para subjugar e controlar a população civil,” escreveu o escritor. “Não concordo minimamente com a política do governo israelita (…) mas acho falsa a afirmação de que a maioria dos académicos israelitas apoia activamente a política dos seus governos.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;“Posso compreender”, continuou Umberto Eco, “que os departamentos de Física da Universidade de Roma ou de Oxford decidam suspender a sua colaboração com os seus colegas dos departamentos homólogos de Teerão ou Pyongyang se se descobrisse que estavam envolvidos no desenvolvimento de uma bomba atómica. Mas não percebo porque devemos interromper as relações com os departamentos de História de Arte Coreana ou de Literatura Persa Clássica.”&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/5062.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Amos Oz&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; nasceu em 1939, em Jerusalém, e é o autor israelita mais traduzido em todo o mundo. Por diversas vezes apontado como favorito ao Prémio Nobel de Literatura, foi já distinguido com  &lt;strong&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/4670.html&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;inúmeros galardões&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/strong&gt;, entre eles, o Prémio Príncipe de Astúrias de Literatura, o Prémio da Paz da Feira do Livro de Frankfurt, o Prémio Grinzane Cavour de Literatura e a Cruz de Honra da República Federal da Alemanha. &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Na ASA, estão já publicadas as suas obras &lt;a href=&quot;http://www.mediabooks.pt/artigos/detalhe.jsp?v_id=132625&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;A Terceira Condição&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;, &lt;a href=&quot;http://www.mediabooks.pt/artigos/detalhe.jsp?v_id=8704&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Não Chames à Noite Noite&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;, &lt;a href=&quot;http://www.mediabooks.pt/artigos/detalhe.jsp?v_id=120976&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Uma Pantera na Cave&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;, &lt;a href=&quot;http://www.mediabooks.pt/artigos/detalhe.jsp?v_id=80587&quot; target=&quot;_self&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Meu Michael&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;, &lt;a href=&quot;http://www.mediabooks.pt/artigos/detalhe.jsp?v_id=122169&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Mesmo Mar&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt; e &lt;a href=&quot;http://www.mediabooks.pt/artigos/detalhe.jsp?v_id=112988&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Uma História de Amor e Trevas&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/20511.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>amos oz</category>
  <category>paul auster</category>
  <category>prémios</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/20239.html</guid>
  <pubDate>Fri, 07 May 2010 13:02:01 GMT</pubDate>
  <title>&quot;AMOS OZ: THE NATURE OF DREAMS&quot;</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/20239.html</link>
  <description>&lt;p&gt;
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  <comments>http://asavintage.blogs.sapo.pt/20239.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>amos oz</category>
  <category>the nature of dreams</category>
  <category>filme</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/20115.html</guid>
  <pubDate>Wed, 21 Apr 2010 16:12:35 GMT</pubDate>
  <title>MILAN KUNDERA VENCE PRÉMIO REINO DE REDONDA E É NOMEADO DUQUE DE AMARCORD</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/20115.html</link>
  <description>&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;a class=&quot;saportelink&quot; href=&quot;http://fotos.sapo.pt/8T7ZZJTAlQ7CyNF4zjMd&quot;&gt;&lt;img style=&quot;border: 0 none;&quot; src=&quot;http://c6.quickcachr.fotos.sapo.pt/i/sf302e5af/2968981_j5lIi.jpeg&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;&lt;/div&gt;
&lt;div class=&quot;saportecontainer&quot; style=&quot;text-align: center;&quot;&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;O escritor checo &lt;a href=&quot;http://asavintage.blogs.sapo.pt/1965.html&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Milan Kundera&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; &lt;/span&gt; venceu o 10.º Prémio Reino de Redonda pela “grande qualidade da sua obra de ficção, que reflecte as ambiguidades e contradições dos indivíduos do nosso tempo, tanto em regimes ditatoriais como democráticos”.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;O galardão, instituído pelo escritor espanhol Javier Marías, através da editora Reino de Redonda, para distinguir o conjunto da obra de um escritor ou de um cineasta estrangeiro, tem o valor de 3000 euros e atribui igualmente um título nobiliárquico fictício. Assim, Milan Kundera será, a partir de hoje, Duque de Amarcord.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;O autor de &lt;a href=&quot;http://asavintage.blogs.sapo.pt/1221.html&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Livro do Riso e do Esquecimento&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt; foi escolhido para este título como saudação a Fellini e declarou sentir-se “agradecido, honrado e divertido” pela atribuição do prémio, cuja continuidade em 2011 dependerá dos membros do júri, segundo referiu Javier Marías na acta da votação.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Entre outros, o júri desta edição integrava os escritores António Lobo Antunes, John Ashbery, Antony Beevor, A. S. Byatt, J. M. Coetzee, John Elliott, Pere Gimferrer, Claudio Magris, Eduardo Mendoza, Orhan Pamuk, Arturo Pérez-Reverte e Mario Vargas Llosa e os realizadores Pedro Almodóvar e Agustín Díaz Yanes.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;br /&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif; font-size: medium;&quot;&gt;Em edições anteriores foram galardoados com o Reino de Redonda J. M. Coetzee (Duque da Desonra), John Elliott (Duque de Simancas), Claudio Magris (Duque de Segunda Mão), Éric Rohmer (Duque de Olalla), Alice Munro (Duquesa de Ontário), George Steiner (Duque de Gerona), Umberto Eco (Duque da Ilha da Véspera) e Marc Fumaroli (Duque de Hoyhnhms).&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;</description>
  <comments>http://asavintage.blogs.sapo.pt/20115.html</comments>
  <lj:replycount>0</lj:replycount>
  <category>prémios</category>
  <category>o livro do riso e do esquecimento</category>
  <category>milan kundera</category>
</item>
<item>
  <guid isPermaLink='true'>http://asavintage.blogs.sapo.pt/19921.html</guid>
  <pubDate>Mon, 08 Mar 2010 16:42:07 GMT</pubDate>
  <title>AMOS OZ TRADUZIDO PARA ÁRABE</title>
  <author>Miguel Seara</author>
  <link>http://asavintage.blogs.sapo.pt/19921.html</link>
  <description>&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://fotos.sapo.pt/oAmoCmeSgb45JDgiFSfG/340x255&quot; style=&quot;border-color: black;&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;http://www.asa.pt/produtos/produto.php?id_produto=898965&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Uma História de Amor e Trevas&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;, de &lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/5062.html&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Amos Oz&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;, foi traduzida para árabe por uma editora alemã de língua árabe, tendo chegado agora às livrarias de Beirute.&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;quot;O mundo árabe deve ler esta obra, que pode ajudar a criar laços entre povos&amp;quot;, afirmou o escritor à rádio do exércit&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;o israelita.&lt;br type=&quot;_moz&quot; /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;quot;O livro relata o nascimento de Israel em circunstâncias que não são heróicas. O país aparece como um campo de refugiados judeus&amp;quot;, acrescentou &lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/5062.html&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Amos Oz&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;, co-fundador do movimento Peace Now.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Desde a sua publicação em 2003, o romance foi já traduzido para quinze línguas, tendo vendido mais de um milhão de exemplares em todo o mundo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Para além disso, os direitos cinematográficos foram já comprados por Natalie Portman, através da sua produtora, Handsomecharlie, sendo que a actriz irá realizar o filme.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;A tradução foi financiada por Elias Khoury, um conhecido advogado palestiniano cristão de Jerusalém Oriental, cujo filho foi assassinado a tiro por militantes palestinianos, que o confundiram com um colono judeu.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&amp;quot;O livro revela a forma como os judeus conseguiram a independência depois de tudo por que passaram e deve ser um exemplo para o povo palestiniano&amp;quot;, afirmou Khoury à mesma rádio.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;http://www.asa.pt/produtos/produto.php?id_produto=898965&quot;&gt;&lt;b&gt;&lt;i&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Uma História de Amor e Trevas&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; é a segunda obra de &lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;http://asavintage.blogs.sapo.pt/5062.html&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;Amos Oz&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; a ser traduzida para árabe depois de &lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;http://www.asa.pt/produtos/produto.php?id_produto=838078&quot;&gt;&lt;i&gt;&lt;b&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;O Meu Michael&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Arial;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;, publicada no Egipto em 1994, e de &lt;i&gt;&lt;b&gt;Soumchi&lt;/b&gt;&lt;/i&gt;, publicada na Jordânia em 1997.&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description>
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  <category>amos oz</category>
  <category>uma história de amor e trevas</category>
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